Friday, March 19, 2021

Music for March 21, 2021 + The Fifth Sunday in Lent

Vocal Music

Create in Me a Clean Heart – Carl F. Mueller (1892-1982)
Hymn: As Moses Raised the Serpent Up (GIFT OF LOVE)

Instrumental Music

Praise to the Lord – Anna Laura Page (b. 1943)
Called Home to Heaven – Fred Gramman (b. 1950)
This Is the Day– Susan Morris (b. 1951)
Grand Jeu – Pierre DuMage (1674-1751)

The Bells are ringing! For the first time since this pandemic began, the Good Shepherd Handbell Guild will be ringing in our morning worship services. We have actually been rehearsing since September, but the fall was spent focusing on music for Christmas, as we played at the live Nativity services. But now we get a chance to play in worship.

Because we are playing three numbers (the most we've ever played in one service) and because we are live-streaming our services, we are moving from the security and anonymity of the loft right down front of the congregation. This will offer you the rare opportunity to watch the entire choir in action. I believe that bell choir music is as interesting visually as it is aurally, so this should prove to be fascinating for the members of the congregation.

Anna Laura Page
The first piece is an arrangement of the hymn Praise to the Lord, the Almighty, by Anna Laura Page A native of Louisville, Kentucky, she received undergraduate and graduate degrees from the University of Kentucky. A widely published composer of choral and handbell music, she has been active in the promotion, composition, and publication of music for handbells, serving as the Handbell editor for Alfred Publishing for 11 years, and was also on the Music Committee for the 1991 Southern Baptist Hymnal. She currently resides in Sherman, Texas.

In this piece, listen for several idiomatic handbells techniques, including the martellato (where the bell is sounded by hitting the padded table), mart lift (similar to the martellato, but the bell is immediately lifted off the table to allow it to vibrate), staccato (the bell is rung normally, but with a thumb or finger on the bell to shorten the sound), and echo, where the bell is rung normally then touched lightly on the table to affect the sound (listen for a "wow-wow" effect).

Fred Gramman
At the offering we are playing a meditation on the hymn-tune HOLY MANNA, which is often used for the text "Brethren, we are met to worship." It was written by Fred Gramman, the organist at the American Church in Paris. He is a native of Washington state where he began organ studies with Dr. Edward Hansen of Seattle. He earned organ performance degrees from Syracuse University and the University of Michigan, moving to Paris in 1972 for organ study with Marie-Claire Alain and Maurice Duruflé. Since 1976, he has been Director of Music at the American Church in Paris where, in addition to his organist duties, he also conducts the Adult Choir, the ACP Bronze Ringers, and the Celebration Ringers

He wrote the piece for the community ensemble Music Made in Heaven, a handbell choir made up of parents who have lost children to death. The group was formed in 2004 as a continuing expression of the parent's love for God and their joy in the gift of their children. 

Gramman named the piece Called Home to Heaven, utilizing the last verse of the hymn Brethren We Have Met to Worship. The line, "Then He'll call us home to heaven" resonates with those who have lost children and other loved ones. 

HOLY MANNA is masterfully woven through this arrangement creating an enchanting setting of the traditional tune. The second verse is beautifully created, juxtaposing bells and chimes in a fugue-like style. It is followed by a majestic verse and prayerful conclusion.

Listen for the use of mallets , the Echo technique , and the Swing. (You'll see it at the very beginning.)

Susan Morris
The communion bell piece is an interpretation of Psalm 118:24, "This is the day the Lord has made. We will rejoice and be glad in it." This gentle and inspirational work was written by Susan Morris for the Handbell Choir of St. Paul's Episcopal Church in Lynchburg, Virginia. Music is an avocation for Morris. Even though she began taking piano lessons at the age of ten and soon after began composing her own music, her career was in science. She received a BS in Biology from Salem College in Winston-Salem, North Carolina, and then continued her studies at the University of Virginia, receiving a graduate degree in Medical Technology.  She now resides in Lynchburg, VA.


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