Thursday, February 9, 2017

Music for February 12, 2017 + The Sixth Sunday after the Epiphany

Vocal Music

  • O For a Closer Walk With God – Charles Villiers Stanford (1852-1924)
  • If Ye Love Me – Thomas Tallis (c.1505-1585)

Instrumental Music

  • Air from Orchestral Suite in D – Johann Sebastian Bach (1685-1750)
  • Saraband on “Land of Rest” – Gerald Near (b. 1942)
  • Allegro, Op. 105, No. 6 - C. V. Stanford 

Congregational Music (all hymns from the Hymnal 1982 with the exception of those marked “R” which are from Renew.)

  • Hymn 594 - God of grace and God of glory (CWM RHONDDA)
  • Hymn 674 -“Forgive our sins as we forgive” (DETROIT)
  • Hymn 707 - Take my life, and let it be (HOLLINGSIDE)
  • Hymn 304 - I come with joy to meet my Lord (LAND OF REST)
  • Hymn R231 - How blessed are you (Jacques Berthier)
  • Hymn 344 - Lord, dismiss us with thy blessing (SICILIAN MARINERS)

Sometimes you just need to hear (or perform) a beautiful melody. That's the reason I am playing an organ transcription of J. S. Bach's lovely Air. Often called "Air on the G String," it was part of Bach's Third Orchestral Suite, written for Prince Leopold, Bach's employer in the little principality of Anhalt-Cothen between 1717 and 1723. This movement became popular over 100 year later, when German violinist August Wilhelm arranged the piece for violin and piano to be played on the evocative G-string of the violin .
The melody is typical of a melody from the Baroque period, as it winds its way all over the musical scale, leaping up and down the keyboard before wriggling back to whence it came. In my music appreciation class, this never fails to be the piece that captures the attention of people who may have never heard of Bach. One of the more unusual performances (and most striking) is this performance by Bobby McFerrin (a good Episcopalian, btw).

The offertory anthem is a setting of a of a hymn by the poet William Cowper. From the handbook to the Psalter Hymnal we learn that he wrote this text on December 9, 1769, during the illness of his long-time friend and housekeeper, Mrs. Unwin. "In a letter written the next day Cowper voiced his anxieties about her condition and about what might happen to him if she died. Saying that he composed the text "to surrender up to the Lord" all his "dearest comforts," Cowper added,
Her illness has been a sharp trial to me. Oh, that it may have a sanctifying effect!. . . I began to compose the verses yesterday morning before daybreak, but fell asleep at the end of the first two lines; when I awoke again, the third and fourth were whispered to my heart in a way which I have often experienced.
"Although Cowper frequently battled depression, doubt, and melancholy, this text speaks of a very intimate walk with the Lord. That walk is rooted in Scripture (st. 1), rejoices in conversion (st. 2-3), and denounces all idols that would usurp God's sovereignty (st. 4). The text concludes with a return to the prayer of the first stanza, but now that prayer is sung with increased confidence and serenity." -Psalter Hymnal Handbook

The tune, CAITHNESS, is Scottish, as was the arranger, Charles Villiers Stanford.

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