- And I Saw a New Heaven – Malcolm Archer (b. 1952)
- O Sacred Feast – Healey Willan (1880-1968)
- Blessed Are Ye Faithful Souls Departed – Johannes Brahms (1833-1897)
- Requiem Aeternum/In Paradisum – Charles Callahan (b. 1951)
- Hymn Prelude on “Darwall’s 148th” – Percy Whitlock (1903-1946)
- Hymn 287 - For all the saints, who from their labors rest (Sine Nomine)
- Hymn R-276 - Soon and very soon (Soon and Very Soon)
- Hymn 625 - Ye holy angels bright (Darwall’s 148th)
- Hymn 620 - Jerusalem, my happy home (Land of Rest)
- Hymn 618 - Ye watchers and ye holy ones (Lasst uns erfrueun)
Our beautiful All Saints anthem is by the English composer Malcolm Archer, Director of Chapel Music at Winchester College in England, where he trains and conducts the choirs and teaches organ. He has enjoyed a distinguished career in cathedral music, which has taken him to posts at Norwich, Bristol, and Wells Cathedrals, as well as Director of Music at St. Paul’s Cathedral in London.
This anthem begins with the sopranos singing the first verse of Revelation 21, our Epistle reading for today:
The rest of the choir joins the sopranos as they repeat that lovely, peaceful melody. At the words "And I, John, saw the holy city," the men of the choir take the melody. At the end of the anthem, the words "and the former things are passed away," are repeated section by section, like an echo that fades away.This anthem begins with the sopranos singing the first verse of Revelation 21, our Epistle reading for today:
And I saw a new heaven and a new earth; for the first heaven and first earth had passed away, and there was no more sea.
Malcolm Archer at St. Paul's Cathedral, London |
The communion anthem is a motet written by Healey Willan. It is the fourth of six motets he wrote in 1924 for his choir at the Church of St. Mary Magdalen in Toronto. The text is an English translation of the Latin hymn, O Sacrum Convivium. You may wonder what is the difference between an anthem and a motet. A motet a short piece of sacred choral music, typically polyphonic and unaccompanied. An anthem is also a choral composition, often based on a biblical passage, for singing by a choir in a church service. It can be accompanied by organ or piano, and can sometimes be as long as ten minutes, as are the English verse anthems 17th and 18th centuries.
The opening voluntary is one of the The Eleven Chorale Preludes, Op. 122, that Johannes Brahms composed a year before he died. They were published posthumously in 1902.
The eleven pieces are relatively short and are based on selected verses of nine separate Lutheran chorales. They were written in the summer of 1896 after Clara Schumann’s death (some may have been conceived earlier), and it is highly probable that Brahms was already aware of his own illness at that point; several are associated with texts about death and eternity, such as our organ voluntary today. This setting, with its beautiful 12/8 flow and major/minor vacillation, is the shortest. The prelude is mostly in D minor, but the first line is almost entirely in the “relative” major key of F. The piece is mostly played on manuals only. The 12/8 meter creates a pastoral mood in the flowing voices under the chorale melody, which is heard in the soprano (top) voice. Brahms marks it dolce (sweetly).
Blessed are ye, faithful souls departed;
Death awakened you to life immortal.
You are delivered
of all cares that hold the world in bondage.
(English Translation by Michel-Dmitri Calvocoressi)
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