Wednesday, April 17, 2019

Music for the Triduum + April 18-20, 2019

April 18, 2019 + Maundy Thursday (7 PM)

Vocal Music

  • Ave Verum – Stephanie Martin (b. 1965)
  • Ubi Caritas – Ola Gjielo (b. 1978)

Instrumental Music

  • Récit du chant de l'hymne precedent: Pange, lingua, gloriosi  Nicolas de Grigny (1672-1703)
  • Ubi Caritas et Amor – Charles Callahan (b. 1951)

Congregational Music (all hymns from the Hymnal 1982 with the exception of those marked “R” which are from Renew.)

  • Hymn R116 - What shall I render to the Lord? (ROCKINGHAM)
  • Hymn 576 - God is Love, and where true love is (MANDATUM)
  • Hymn R148 - Brother, let me be your servant (THE SERVANT SONG)
  • Hymn R289 - Jesu, Jesu, fill us with your love (CHEREPONI)
  • Hymn R226 - Ubi caritas (Jacques Berthier)
  • Hymn 439 - What wondrous love is this (WONDROUS LOVE)
  • Hymn 171 - Go to dark Gethsemane (PETRA)
  • Hymn R170 - Stay here and keep watch with me (Jacques Berthier)
  • Psalm 116:1, 10-17 Tone IIa 

April 19, 2019 + Good Friday (NOON)

Vocal Music

  • Were You There? - Spiritual, Richard Murray, soloist

Instrumental Music

  • Ah, Holy Jesus – arr. John A. Behnke (b. 1953)
  • Come, Sweet Death – Johann Sebastian Bach (1685-1750)

Congregational Music (all hymns from the Hymnal 1982 with the exception of that marked LEVAS which is from Lift Every Voice and Sing II.)

  • Hymn 158 - Ah, holy Jesus, how hast thou offended (HERZLIEBSTER JESU)
  • Hymn 441 - In the cross of Christ I glory (RATHBUN)         
  • Hymn LEVAS - On a hill far away (OLD RUGGED CROSS)

April 20, 2019 + Easter Vigil (7 PM)

Vocal Music

  • Now the Green Blade Riseth – Ken Heitshusen (c. 1950)
  • Psalm 122: I Was Glad – Peter Hallock (1924-2014)

Instrumental Music

  • O Sons and Daughters, Let Us Sing – Denis Bédard (b. 1950)
  • Good Christians All, Rejoice and Sing – Paul Manz (1919-2009)

Congregational Music (all hymns from the Hymnal 1982 with the exception of those marked LEVAS which are from Lift Every Voice and Sing II.)

  • Hymn  - Within Our Darkest Night (Taize), 
  • Hymn LEVAS - He’s Got the Whole World In his Hands (Whole World)
  • Hymn LEVAS - Wade in the Water (Spiritual)
  • Hymn 296 - We know that Christ is raised and dies no more (ENGLEBERG)
  • Hymn 187 - Through the Red Sea brought at last (STRAF MICH NICHT)
  • Hymn 174 - At the Lamb’s high feast we sing (SALZBURG)
  • Hymn 199 - Come, ye faithful, raise the strain (ST. KEVIN)
Three holy days enfold us now
in washing feet and breaking bread,
in cross and font and life renewed:
in Christ, God’s firstborn from the dead. (1)
From early times Christians have observed the week before Easter as a time of special devotion. As an early Christian pilgrim, Egeria, recorded in the late fourth century, Jerusalem contained many sacred places that were sites for devotion and liturgy. Numerous pilgrims to the holy city followed the path of Jesus in his last days. They formed processions, worshipped where Christ suffered and died, and venerated relics. From this beginning evolved the rites we observe today on Palm Sunday, Maundy Thursday, Good Friday, and Holy Saturday. 
The three holy days, or Triduum, of Maundy Thursday, Good Friday, and Holy Saturday are at the heart of the Holy Week observance. We observe these days with three special services, which, in turn, call for seasonal music. (2)

The choir, cantors, and organist provide much of what supplements the hymns that the congregation sings. Of particular interest this year are the anthems to be sung at the Maundy Thursday service, the Handbell music at the Good Friday Service and Richard Murray's annual singing of "Were You There," and the spirituals that will accompany the readings on Saturday at the Vigil.

In mid-April, 2011, the Norwegian composer Ola Gielo spent 3 days on the Central Washington University Campus for a project in which he joined the choir in recording 3 of his compositions. Gjeilo would add an improvised accompaniment  to his a capella choral music. One particular improvisation, his setting of the Ubi Caritas text, garnered so much attention on YouTube  that he figured it would made sense to publish a score that was as close to the original performance as he could notate. We will be singing that collaboration during communion on Maundy Thursday.

(1) Three holy days enfold us now, Words by Delores Dufner, OSB (b. 1939) © 1995, Sisters of St. Benedict.
(2) from https://www.episcopalchurch.org/library/glossary/holy-week, accessed April 17, 2019


1 comment:

  1. Why handbells on Good Friday? I thought organ or piano for hymns only.

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