There will be no choir this Sunday
Instrumental Music
- Das alte Jahr vergangen ist [The old year now hath passed away] BWV 614 – Johann Sebastian Bach
- Jesus, Name Above All Names/O, How I Love Jesus – arr. Mark Hayes
- Praise the Name of Jesus – arr. Fred Bock
- In dir ist Freude [In Thee Is Gladness] BWV 615 – Johann Sebastian Bach
Congregational Music (all hymns from the Hymnal 1982 with the exception of those marked “R” which are from Renew.)
- Hymn 450 - All hail the power of Jesus’ name (Coronation)
- Hymn 644 - How sweet the name of Jesus sounds (St. Peter)
- Hymn 250 - Now greet the swiftly changing year (Sixth Night)
- Hymn R26 - Jesus, name above all names (Hearn)
- Hymn R98 - How Majestic Is Your Name (How Majestic)
- Hymn R28 - Emmanuel (McGee)
- Hymn R37 - Father, we love you (Glorify Your Name)
- Hymn 477 - All praise to thee, for thou, O King divine (Engleberg)
Jesus publicly received his Holy Name when he was presented at the Temple and circumcised, under the Law |
I've included many hymns and songs this Sunday which exult the name of Christ. Two of the piano voluntaries are settings of contemporary songs extolling Jesus' name.
This is, of course, also New Year's Day. While not a liturgical feast day, there is indeed music written for the church's observance of the day. Two of the most famous pieces for New Year's Day come from Johann Sebastian Bach's Orgelbuchlein. I'll be playing both of them for this Sunday's single Eucharistic service at 10:15. The opening voluntary is rather melancholy, with its intensely chromatic, highly ornamented melody of the chorale Das alte Jahr vergangen ist [The old year has passed] played slowly in the right hand on one keyboard while the left hand and feet accompany on another manual and the pedal board.
The other piece, played at the close of the service, is much more jubilant and bright. In Thee is Gladness is a hymn by Johann Lindemann written for a balletto (dance tune) by Giovanni G. Gastoldi, a priest and composer from Mantua, Italy. Only the first four notes of the chorale are used as a recurring motif used as an ostinato during the piece, along with the "short-short-short-long" rhythm of the ultra short melodic fragment that also appears throughout the hymn.
The other piece, played at the close of the service, is much more jubilant and bright. In Thee is Gladness is a hymn by Johann Lindemann written for a balletto (dance tune) by Giovanni G. Gastoldi, a priest and composer from Mantua, Italy. Only the first four notes of the chorale are used as a recurring motif used as an ostinato during the piece, along with the "short-short-short-long" rhythm of the ultra short melodic fragment that also appears throughout the hymn.
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