10:15 AM Eucharist
Vocal Music
- Lead me, Lord – Samuel S. Wesley (1810-1876)
Instrumental Music
- Out of the Deep I Cry to You – Johann Pachelbel (1653-1706)
- Suite du Premier Ton No. Récit – Denis Bédard (b. 1950)
- Toccata in E Minor – Johann Pachelbel (1653-1706)
Congregational Music (all hymns from the Hymnal 1982 with the exception of those marked “R” which are from Renew.)
- Hymn 450 - All hail the power of Jesus’ name! (CORONATION)
- Hymn 439 - What wondrous love is this (WONDROUS LOVE)
- Hymn 435 - At the name of Jesus (KING'S WESTON)
- Hymn 711 - Seek ye first the kingdom of God (SEEK YE FIRST)
- Hymn 554 - ‘Tis the gift to be simple (SIMPLE GIFTS)
- Hymn R26 - Jesus, name above all names (HEARN)
- Hymn 477 - All praise to the, for thou, O King divine (ENGLEBERG)
- Psalm 25:1-8 (Tone VIIIa)
St. Michael and All Angels - 5:00 PM
Vocal Music
- Draw Us In the Spirit’s Tether – Harold Friedell (1905-1958)
Instrumental Music
- Adagio in E – Frank Bridge (1879-1918)
- Suite du Premier Ton No. Récit – Denis Bédard (b. 1950)
- Toccata in E Minor – Johann Pachelbel (1653-1706)
Congregational Music (all hymns from the Hymnal 1982 with the exception of those marked “R” which are from Renew.)
- Hymn 618 - Ye watchers and ye holy ones (LASST UNS ERFREUEN)
- Hymn 282 - Christ, the fair glory of the holy angels (CAELITES PLAUDANT)
- Hymn R-75 - Praise the Lord! O heavens adore him (AUSTRIAN HYMN)
- Hymn R-114 - Bless the Lord, my soul (Jacques Berthier)
- Hymn 410 - Praise, my soul, the King of heaven (LAUDA ANIMA)
- Psalm 103:19-22 (Tone VIIIb)
The anthem at 10:15 service this Sunday is the quiet, simple, Lead me Lord by S. S. Wesley. Lead me Lord is an extract from a larger, longer anthem by Wesley called Praise the Lord. This excerpt has proven to be so popular and accessible that it has been included as a hymn in several hymnals in the last 50 years.
The opening voluntary at 10:15 is based on the tune Aus Tiefer noth schrei Ich zu Dir, though not the tune found in our hymnal with the same name. (The one in our hymnal, found at 151, is thought to be composed by Martin Luther.) The tune used in this chorale prelude is very similar to a tune the Lutherans used for the text Herr, wie du willst, so schicks mit mir (Lord, as Thou wilt, deal Thou with me - sort of the Lutheran answer to the Methodist hymn, "Have Thy Own Way, Lord.") In fact, the copy of the music lists both texts as the title for this piece.
In this setting by the South German organist Johann Pachelbel (of the Canon in D fame), you'll first hear a fragment of the tune as the subject of a fughetta, a short fugue, with exposition plus only a few restatements of the subject. The fughetta soon evolves into a chorale-prelude, with the entire tune heard in long notes in the soprano (top) voice, with a contrapuntal accompaniment in the lower voices.
In this setting by the South German organist Johann Pachelbel (of the Canon in D fame), you'll first hear a fragment of the tune as the subject of a fughetta, a short fugue, with exposition plus only a few restatements of the subject. The fughetta soon evolves into a chorale-prelude, with the entire tune heard in long notes in the soprano (top) voice, with a contrapuntal accompaniment in the lower voices.
Denis Bédard |
Denis Bédard, who was born in Quebec City in 1950, first studied music at the Conservatoire de musique de Québec, graduating with first class honours in organ, harpsichord, chamber music, counterpoint and fugue. He continued his studies in Paris and Montreal, as well as in Amsterdam with Gustav Leonhardt, and was laureate of the "Prix d'Europe" in 1975 and of the CBC Radio Talent Competition in 1978. A professor at the Conservatoire de musique de Québec from 1981 until 1989 and organ professor at the University of British Columbia in Vancouver from 2001 until 2004, Denis Bédard was organist at St-Coeur-de-Marie church in Quebec City for 19 years and then became organist at St-Roch church, also in Quebec City, in September 1997. Since September 2001 Denis Bédard has been organist and music director at Holy Rosary Cathedral in Vancouver. He is a very active concert artist and has given recitals across Canada, in the United States, in France and in Brazil.
This Sunday evening, as we dedicate the Acolyte Guild at our annual service, I have chosen the beautiful anthem by the American composer Harold Friedell for the offertory. Though it is not written specifically for either acolytes, youth, or Michaelmas, these words make it apt for a service calling our young men and women into service:
Draw us in the Spirit’s tether,
For when humbly in Thy name,
Two or three are met together
Thou are in the midst of them;
Alleluia! Alleluia!
Touch we now Thy garment’s hem.
As the brethren used to gather
In the name of Christ to sup,
Then with thanks to God the Father
Break the bread and bless the cup,
Alleluia! Alleluia!
So knit Thou our friendship up.
All our meals and all our living
Make as sacraments of Thee,
That by caring, helping, giving
We may true disciples be.
Alleluia! Alleluia!
We will serve Thee faithfully.
© 1957, 1985, Oxford University Press, The H.W. Gray Co. Used by permission.
This hymn was written by Percy Dearmer and first published in 1931. It gained popularity because of Harold Friedell’s 1957 anthem. Friedell (1905-1958) was a professor of theory and composition at the School of Sacred Music, Union Theological Seminary, New York City.
Jet E. Turner, a master of sacred music graduate at Union, arranged a portion of the music of the anthem as a hymn for the United Methodist Hymnal, and named the tune UNION SEMINARY. (1) Like the anthem Lead me, Lord, mentioned at the beginning of the article, it has since become a very popular hymn in new hymnals, being included in over 18 hymnals in recent years.
(1) Hawn, C. Michael, History of Hymns: Draw Us In the Spirit's Tether. Retrieved from https://www.umcdiscipleship.org/resources/history-of-hymns-draw-us-in-the-spirits-tether
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.